It's fairly straight forward to start then...cucucucucumber. Ha.
Treepeople was Doug Martsch band before Built to Spill (it's perhaps an indictment against the lo-fi/indie/whatever scene of the 90's that Built to Spill was as popular as they were).
One for the careful readers. :)
As usual it's squal that matters with Dinosaur Jr.
What follows is C's fault...for posting the bit about Suede.
This is the Londoner Grill in Baton Rouge, Louisiana on Sherwood Forest Blvd. across from the Celtic Center. I took this photo while I was staying in Denham Springs because I had business in Scotlandville.
Last night I found my self watching Live Forever: The Rise and Fall of Britpop...for like the sixth time. It weren't any better this time than it was the other five. I'm just easily distracted...easily amused and obsessive. So there you are. I was trying to find a clip of Suede's performance at the Brit Awards in 93....Animal Nitrate. It's been blocked on You Tube by BPI but, I thought I had seen it in Live Forever. I was wrong. In fact, Suede are given pretty short shrift...reduced in significance to a magazine cover. The film ought to be called Live Forever: The Rise and Fall of Oasis and Some Other Bands that Owe Their Existence to James Brown (the puffed up editor of Loaded magazine, not Macon, Georgia's own God Father of Soul).
They could just have easily called it How the Idea of America Manipulates the British Pop Psyche.
For our purposes the discussion begins with Jon Savage...
"The Pendulum (in the early 90's) had swung back to America. There's always this tic-toc, tic-toc, between the U.S. and the U.K. At least in the U.K. Often in America they don't give a toss about what's going on in the U.K."
And continues in part two...
(the usual warning about language when hearing from with these potty mouths)
The Elephant in the Room or How Americans Will Dance to Anything by Day-Pesh-Kamode
e.f. bartlam
To my mind, some obvious questions arise in those passages from Live Forever. We're gonna get 'em sorted out...sussed if you like. None of them has to do with the sentiment of resentment toward American culture expressed by Jon Savage, James Brown, et al. as a matter of historical fact. Besides you can't argue with sentiment...sentiment just is. What we will try to do is address certain issues...one, what is American Culture? That might seem an impossible question to answer in a few paragraphs. It's not. Believe me it's doable. We'll talk about Budweiser.
Two, what does it actually mean to "Make it in America?" This seems to be a recurring issue with certain bands or elements of the British music papers. We may not be able to come up with a definitive answer to that question but, I think we can add emphasis to elements of it that are often overlooked. We'll listen to Band of Skulls do a Ford commercial (we may have to digress at this point and explain that Ford is not actually a British car maker).
Three, is it true that Americans don't normally give a toss about what goes on in British popular culture? I think by answering the first two question it will become obvious that Americans do...that Britain wields a tremendous influence in America. It's not exactly the same as wielding influence over the culture but, it's pretty hard to shape something that barely exists...and to the extent that it does exist, does so under extremely rigid parameters. /
Here is where I should say something about football...just to irritate Kibber but, one of the reasons I'm hiding this post in ridiculous, pretentious "fancy dress" is that there is no football right now and I'm bored out of my freaking mind.
Go Gators...six months from now.
I should also say a word about terminology. Those of you who read this blog know that I have no allegiance to this ridiculous notion of America (me and Spliff call it The Imperial Construct of America)...I'm a Southron and y'all know this. Making that distinction is not necessary, except where it is necessary, in the following discussion. So enjoy the rare instance where I will be including myself, and my people, among these other ragamuffins.
Also, also...we should get Canada out of the way before proceeding. We are honored to have, here at Flimsy Cups, Canada's greatest export..Spliff (aka Dread Pirate Jessica). You can read her thoughts and, if you're lucky, interact with her here on these pages. Nothing more need be said about that.
To be continued...
Cleveland, Mississippi
I know Adamparsons...red phone booths and double-decker buses. We're dealing, to a certain extent, in generalizations and stereotypes. Don't get your Bowler in a bunch. Go eat a crumpet and settle it down.
